Related Paintings of unknow artist :. | In the Land of Promise | Classical hunting fox, Equestrian and Beautiful Horses, 029. | Portrait of a Little Girl | The Asuncion of Holy Mari Mary magdalene | Portrait of Wenzel Anton |
Related Artists:
NUVOLONE, Panfilo
Italian painter, Lombard school (1581-1651) After studying with Giovanni Battista Trotti, he moved to Milan, where he is recorded in 1610. The influence of Trotti and of late Cremonese Mannerism is evident in his first known work, SS Nicholas and Costanza Adoring a Miraculous Image of the Virgin (1607; Can?nica d'Adda, S Giovanni Evangelista). In his paintings of scenes from the Life of Samson (1610-14; Milan, S Angelo, Cappella Sansoni) Nuvolone moved away from Trotti, exaggerating the size of the figures and defining form with an academic clarity reminiscent of the contemporary art of Camillo Procaccini. There followed, shortly after the work in S Angelo, frescoes of the Coronation of the Virgin and other scenes in the presbytery of S Maria della Passione in Milan, and, in 1614, a lunette of the Angel Announcing to Mary her Approaching Death for S Domenico, Cremona (Cremona, Mus. Civ. Ala Ponzone). In 1620 he painted the Coronation of the Virgin for the Swiss parish church in Milan (in situ). Still tied stylistically to the earlier work in S Maria della Passione, this demonstrates the difficulty Nuvolone experienced in breaking with the late Mannerism of Giovanni Paolo Lomazzo, Giuseppe Meda (d 1599) and Ambrogio Figino and in adapting to new trends in 17th-century Milanese painting. His Virgin and Child with Two Saints (1624; Milan, S Eustorgio), featuring stiff figures and inflated Mannerist drapery with its metallic folds, indicates continued contact with Procaccini. In the same year he was employed in the decoration of the Collegiata di Appiano Gentile, where he painted two scenes from the Life of St Stephen and a Virgin and Child with SS Anthony and Victor. He continued to produce a vast number of repetitive religious works, yet these are less interesting than his still-life paintings, generally of fruit stands with peaches and grapes presented symmetrically against dark backgrounds.
THORNHILL, Sir James
English painter (b. 1676, Melcombe Regis, d. 1734, Weymouth).
Georgios Jakobides
Lesbos 11 January 1853 - Athens 13 December 1932) was a Greek painter and one of the main representatives of the Greek artistic movement of the Munich School. He founded and was the first curator of the National Gallery of Greece in Athens. His first education was in Izmir, Turkey. From 1870 to 1876 Jakobides studied sculpture and painting at the Athens School of Fine Arts, and in 1877 he went to the Akademie der Bildenden Kenste in Munich on a scholarship to continue his painting studies under Karl Theodor von Piloty. In Munich he lived for 17 years where he worked in his studio, painting mythological scenes, genre pictures, and portraits. His work is influenced by German academic Realism, his most famous paintings were of children. In the capital of Bavaria he was regarded as a successful German artist selling many of his works at high prices. The Greek government invited him in 1900 to return to Athens to organize the National Gallery of Athens, and in 1904 he was appointed Director of the Athens School of Fine Arts where he taught for 25 years. At this time, additional to his themes he produced formal portraits of eminent Greeks (e.g.Queen Sophia). He opposed all new artistic tendencies, including Impressionism and Expressionism, but supported younger artists to follow their own individual artistic tendencies. He was given awards at five international exhibhits: among those in Berlin 1891 and in Paris 1900.